As singers we tend to be more aware of breathing than the average person, but so many singers who come into my studio have needed to cultivate a deeper awareness and understanding of their breathing to ensure it is really working to enhance their singing voice and not working against them.
Our bodies have the capability of breathing in a myriad of ways. The ultimate goal in any work I do is to create a system that is adaptable and responsive. I want your body and breath to respond well to the task it is asked to do.
I absolutely adhere to the ‘if it ain’t broke don’t fix it adage’ when it comes to anything to do with the body, breathing included. However there are a few patterns that frequently get in the way of the voice being easily produced.
The problematic breathing patterns that I see regularly in my studio include: reverse breathing, clavicular breathing, over inhaling, breath holding and over breathing.
Reverse Breathing: in this state, the belly area moves in on inhale and the rib cage expands. The belly then moves out on exhale. I see this often in newer and younger singers. Though we are born belly breathers, we don’t often stay that way for long. When the belly isn’t soft enough to expand on inhale, your diaphragm isn’t allowed to descend and your lungs aren’t being optimally accessed.
Clavicular Breathing: in this state, the lower ribs aren’t flaring out when you inhale. Instead, your breath is high and shallow. Clavicular breathing contributes the stress response which is fine when you are running out of a burning building and want adrenaline coursing through your body to keep you alert, but it is not what you want when you are performing. With this type of breath you aren’t accessing the lowest lobes of the lungs which are a key part of triggering the relaxation response. Please note, there is going to be some motion in the upper chest when we breathe! Your lung tissue runs all the way up to your collarbones.
Over Inhaling: in this state, your inhale is longer than your exhale. This is common in singers who suffer from asthma, something that in my studio has been on the rise over the years. You can tell if you are over inhaling simply by counting the length of your inhale and the length of your exhale.
Breath Holding: in this state, you take air in, but you hold it before engaging in exhalation. What should be a split second transition between the muscles of inhalation and exhalation gets extended and the breath isn’t optimally used and therefore your sound isn’t optimal either. As a young singer, I had this pattern until a movement teacher at the Chautauqua Summer Voice Program pointed it out to me. It was a revelatory discovery for me to go for a run and notice that she was completely correct. I took breath in, but didn’t let it out. It took work, but I was able to change my pattern in time.
Over Breathing: This is a habit where we take in more oxygen than we need for whatever task we are seeking to accomplish. Our lungs have a capacity of around 4.5-6 liters, but not many of our tasks (even singing!) really require us using that much oxygen. I see over breathing often going hand in hand with clavicular breathing and breath holding.
See what you notice about your own breathing over the course of the day. Do any of these patterns sound like something you are doing? Reach out for an assessment if you would like some help with your breathing!